This course examines the connections between two phenomena: 1.) the rise of "world culture" and multiculturalism in the last quarter of the twentieth century, and 2.) the growth of "community drumming", a new form of musical and creative expression which has become increasingly popular in the last ten years. The course will include both sociological inquiry/discussion and hands-on instruction in drumming. Topics include: the history of the drum and its role in "traditional" cultures, the impact of European imperialism and colonialism on the drum, issues of appropriation of traditional cultures by the modern drumming movement, and how drumming builds community, as well as beginning drumming techniques, learning to play specific rhythms, creating improvisational music with drums and percussion, and drum circle facilitation techniques.
Drum circles have been seen as a "fad" that has become popular in the last ten years or so, yet in reality this phenomenon is much more than an ephemeral expression of popular culture. Community drumming touches on many issues, including multiculturalism, racism and cultural appropriation, the mind/body relationship and healing, group dynamics and communication, personal growth and spiritual development, and more.
This course is intended to put the community drumming movement in its proper context, at the same time that it provides access to this powerful form of self-expression. Students will leave with some knowledge of the history and cultural traditions of the drum and with practical tools for not just participating in community drumming, but also facilitating the use of drumming in groups, understanding how drumming affects individual consciousness and group dynamics, and how drumming may be used as a healing tool. This course will provide useful background and skills for students interested in music therapy, social psychology, organization development and management, and ethnomusicology. It will also be fun.
Morwen Two Feathers holds an M.A. in Sociology, and is the co-founder and director of Earth Drum Council, creating opportunities for people from all walks of life to experience the spirit of the drum. She is the author of several articles on the social roles of drumming, and has been exploring the relationship of drumming to consciousness and community for over ten years.