The Practice of Taketina -
Into the Rhythmic Community
led by Marcus Sims, with
Elaine Fong on surdo
Saturday, March 24th, 10am to
5:30pm
at the Emerson
Umbrella Center for the Arts,
sliding scale $54 to $108
To register, contact Morwen Two Feathers at morwen at earthdrum dot com or call 978-371-2502.
Dear Friends,
You
are invited to join us in the rhythmic community of Taketina. I say 'rhythmic
community' because I see Taketina as a practice of learning about rhythm, or
more accurately, learning FROM rhythm. And 'community' because we practice as a
group, guided by the leaders and by each other.
Rhythmic
knowledge is a special kind of knowledge. It is spread throughout the Universe
holographically, with ALL of the knowledge contained EVERYWHERE. That is, each
part of the Universe contains all rhythmic knowledge. Therefore, each of us also
contains knowledge of rhythm.
The
tricky part is that humans need culture to become fully human. Culture is the
mechanism through which important aspects of being human - language, music,
architecture, social rituals, art of all kinds, science, ways of viewing and
understanding the world - are passed down and grow through the generations.
Traditionally,
rhythmic knowledge is passed from generation to generation through music and
dance. But our modern industrial culture tends to separate us from the bodily
ways of learning rhythm. We are more likely to listen to music on our CD player
than to make music ourselves; more likely to cruise in our car rather than amble
on our own two legs. Our natural rhythms, of walking, waking, sleeping, eating,
talking, and even paying attention, are often pushed out-of-whack in the demands
of our daily lives.
Taketina
is a very powerful practice to counteract the influences of our industrial
culture and bring us into connection with the natural rhythmic knowledge already
inside of us. And in the Taketina circle, another's awakened rhythm helps your
rhythm to awake. We share the knowledge, intimately and in the moment, and the
power of group learning makes it easier for each one of us to awaken. In
Taketina, we can gradually find our own way into rhythm and our own place of
contribution and nourishment in the community. How rhythm works becomes
obvious, and how life works becomes more clear. As rhythm for evolution,
Taketina can help us find our way.
This
is the clarity and connection we will need as we look into the 21st century,
with all of the challenges and opportunities before us. You are invited into the
Taketina rhythmic community. Please join us if you will.
in rhythm,
Marcus
Marcus
Sims is certified as an Advanced
Taketina teacher, and continues intensive study with Reinhard Flatischler, the
Austrian master drummer who developed Taketina. Marcus lives and works near
Elaine Fong is the founder and artistic director of the Odaiko New England taiko drumming company, as well as a certified basic Taketina leader. She is currently enrolled in the Advanced Taketina teacher training.
"Humans on all
continents and in all times have found awareness of rhythm to be a pathway into
sacred presence. Through movement, clapping, vocals and percussion, Taketina
opens us beyond our cocoon of habitual thinking and perception, and into the
mystery of being intensely alive and profoundly awake. As teacher and group
leader, Marcus Sims brings a quality of sensitivity, care and wisdom that makes
this meditative journey both safe and deeply transformative. I highly recommend
the process, and Marcus, as trusted guide!"
Tara Brach, founder and
senior teacher of the Insight Meditation Community of Washington,
psychotherapist and author of Radical
Acceptance- Embracing Your Life with the Heart of a Buddha
"I spent most of the
next day with friends, finally relaxed. Skipped the afternoon workshop, but then
Ron and I saw some people gathering and went to find out what it was about. We
ended up learning TaKeTina, which is wonderful. There's a very simple step, a
varying chant, and clapping to a somewhat difficult rhythm. Seems easy, but it's
hard to keep all of them going at once, your body doing three very different
things. The repetitive rhythm was very soothing to me and by the time it ended I
felt more present in my body than I have in months. Ron looked at me and said
"welcome back!" I've been out of it for months and still don't fully
understand why, but as of that moment, it was over. I felt connected to my
senses and everything was just so vivid and intense and beautiful."
Anais, workshop participant
For a list of previous Ta Ke Ti Na workshops and performances with Reinhard and Cornelia Flatischler in the Boston area, click here.